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The Mobile Unit drives them back to the Malieveld. Several people arrested. Eventually he manages to get a small group still on the Courtyard. This demonstration consists of a motley collection of left and right-wing activists from various associations and cities. Some people do it for the camera statements against criminal foreigners must leave the country and the Netherlands would be full. A new media reports that a councilor of PVV in Almere For the third time raises questions about the financing of a mosque in Almere outdoors. Councilor wants more control and research and he says that if it turns out that there is money to questionable lenders, "The tent should just shut '.
A man goes on Sunday morning around half past five, after his work in a gay club in Amsterdam , the night bus home. He is attacked near his home by two boys of Dutch-Moroccan descent. The victim receives blows and kicks. In a second Sunday morning robbery, a man by a group, possible Arabic speaking men, hostage after a night out at a gay bar in Amsterdam. He stepped to the gay bar in a taxi and taken. He must pay one hundred euros and if he does not do this, he is forced to pin this. The political party Artikel 50 holds its General Assembly in Apeldoorn. It is a merger meeting with the party Voor Nederland.
It is unanimously voted and Artikel 50 taking her Members bring Voor Nederland. A large demonstration Pegida in Dresden with 17 tot 25 thousand participants. Wilders praises the demonstrators and lashes out at Islam. This Sunday near a train station Eindhoven within. Homosexual conductor will announce this through the intercom. He suddenly attacked from behind and gets a hard blow to the head. The author calls 'dirty fagot'.
The driver loses consciousness. There has been no occasion in the train, such as an argument with a zwartrijder. In a park in Rotterdam is graffiti of hooks crosses and the KKK discovered on a bench and asphalt. A supermarket in Leiden refuses to sell a pack of baby milk powder to a Chinese woman. This was also her late December even if once denied.
Beyond Flanders Fields
She feels discriminated against, a complaint must in. The band Blindfolded from the region Winschoten enter here.
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It is a councilor of a local party in response to the attacks of radical Muslims in model, cartoons of Charlie Hebdo wants to hang on. GroenLinks had criticized here because some of the citizens of Dordrecht itself may hurt might feel. In de nacht van 22 op 23 January, a Dutch-Indian boy with a dark complexion is denied access to an international student party in Rotterdam.
The doorman asked where he came from and let his white Polish friends or inwards. The door does not seem to believe that the Indian man is Dutch. He would be rejected because he was visibly drunk. He later makes a second attempt and may well inside. It is perceived as discrimination and he files a complaint. In Nijmegen are many anti-Islamic stickers Identitair Verzet found in a number of shopping malls. When I was 13 or 14 and I saw Citizen Kane. He said I should get a diploma first because a lot of people started studying film but only a few graduated.
And even if they graduated, few of them actually got to make a film. I did, and had a very good year party-wise but not so much studying-wise and ended up with my worst grades ever. What was important to you about film school? I think for me — although this is something I realised afterwards — the real reason to go to film school is that, in a very calm way, you can watch films and do exercises with actors who you would normally never dare to call.
It was like four or five years of exercises without having to pay people. For me, that was the big reason to do it. Yeah, I got stuck in my first year because I was very immature. In fact, my first two years — three if you take the double one into account — were crap. I made Iceland and it went very well: it won a Wildcard and was selected for Cannes. Then I did Paroles, which also did very well internationally.
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That was when it really started. Do you think of your short films as training exercises? I really put my heart and soul into them and I always tried to do them properly. I think stories for shorts are not the same as stories for feature films.
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A short film works a lot more on suggestion. For me, it was very interesting to see what you have to do to touch an audience. Is there something that unites your short films? In Mont Blanc, I never say what happened between the father and the son. I think that is what links the films. And then, crew-wise, I nearly always work with the same people I studied with. What about the Wildcard: was that a big help after the first film? You get to cope with that.
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What was the bad luck? We had bad weather — the opening shot was completely fucked. We had cars breaking down, we had a crash on set with one of the cars: it was total mayhem. But you get to cope with that and you get to learn how to work with a producer professionally, because we had Dirk Impens producing the film. It taught me a lot. I was writing [my first feature] Cargo, and suddenly these guys came along and said they wanted me to direct The Natives.
These guys? Yeah, there were about 12 or 13 actors who got together and decided to make a series about a village and asked me to direct it. I think it had to do with the way I work with actors and the way I approach reality. I wanted to make a feature film but at this stage in my life I thought I still needed more time.
Do you think working with actors is a big part of your skill as a director? A lot of people have directing talents. The only thing I have is working with people. And you do that by working with actors. It also has to do with my crew: we worked 64 days with a crew that was very, very young and never had any problems.
I think we made a beautiful show but that is because the atmosphere on set was so good between the actors and the crew. You feel that in the result. You also set up production company De Wereldvrede along the way. I think if I knew back then how hard it is to make a TV series, I might never have done it. You started the company in partnership with Gilles de Schryver.
How did you two meet up? We met on the set of Paroles, my second short. He was one of the actors and he became a very close friend. He comes from a family of entrepreneurs, as do I. Stromae does his own thing.