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Belgian jazz
Great service! Thank you! Read more. Date of experience: April MelissaBrussels wrote a review Dec Together with Charlie Christian and Wes Montgomery , he is now - even outside jazz - considered one of the most influential guitarists ever. Django's style, jazz manouche or gypsy jazz , keeps attracting new jazz musicians all over the world, and the number of bands playing in this style is still growing. In Belgium, Fapy Lafertin probably is he best known representative of modern jazz manouche. The Django d'Or awards, originally organized in Paris as a tribute to Django Reinhardt, now ranks samong the most prestigious jazz prizes awarded to deserving musicians.
Since the s more countries outside France organize their own Django d'Or awards. The early s in the United States was the period of cool or west coast jazz, more peaceful than bebop, and with a more outspoken interest in composition and arrangement. Later, he would organize his Jack Sels Chamber Music band.
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In Paris, Sadi also started up his own big band, for which he composed and arranged. In jazz circles he was considered the best European vibraphonist, in the tradition of Milt Jackson. Bobby Jaspar remained a wonderful "cool" soloist on flute and tenor sax. In New York he played, among others, with J. Johnson and Miles Davis. His most loyal partner and friend was Jacques Pelzer who, after the adventure with the Bob Shots , imposed himself in this decade as an outstanding musician of European jazz.
At the end of the s there were three young musicians who came to prominence on the Belgian jazz scene. Richard Rousselet was Belgium's first modern hardbop trumpet player, and would collect several awards abroad. Guitarist Philip Catherine , even before his twentieth year, jammed at la Rose Noir , played at the festivals of Comblain and Ostend and toured Europe with Lou Bennett.
After he also started to compose. The s saw the emergence of free jazz in the United States and the rise of the supremacy of rock. The popularity of jazz music after the golden days of swing was waning everywhere and now seemed to eclipse in favor of more danceable popular music. Most people did not like to hear bebop or freejazz, and jazz had become the music of a few insiders.
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Not only was the audience for jazz shrinking, but it also lost young jazz musicians who in previous periods had taken initiative, and now were more attracted to pop. Of course, besides showing interest in free jazz also called "New Thing" , most Belgian musicians continued to play the older styles New Orleans was especially popular in Flanders and bebop cool jazz included , while mainstream swing was still in demand. In the absence of employment in Belgium a lot of musicians were associated with orchestras abroad. Large outdoor gatherings called "festivals" were organized.
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Comblain-la-Tour is the oldest: the first edition took place in Although rock still dominated in the s, musical styles began to interpenetrate. With Miles Davis, jazz electrified and flirted with rock. In the United States the new style was baptized "jazz-rock", giving rise to European bands like the British group Soft Machine.
Typical for jazz rock is the replacement of acoustic instruments guitar, bass and piano by their electric version. These new sounds had the advantage of bringing the rock audience closer to jazz. The recording of jazz music took a new start, often by independent labels. Meanwhile, Toots Thielemans was touring and recording in the U. In Flanders, Etienne Verschueren toured with his sextet. Up to approximately the s jazz history was more or less a succession of stylistic periods, a development that was entirely situated in America.
Jazz had become an international language. From the late s on it became difficult to describe the direction jazz has taken. So many different jazz styles and trends exist that the student of jazz does not get a clear view on this fragmented musical landscape. At the turn of the s, jazz came back in force, although it did not find its way to the general public. This return is due in part to the emergence around of the compact disc, enabling reissues of many jazz classics; the illustrious labels Blue Note, Pacific, Verve, Impulse!..
The theme of jazz came up more regularly in advertising and in the daily and weekly press, as well as on the radio. Television still did not pay much attention to jazz. The best sign of this new found health, at European level, was the appearance - and even, in some countries like France, proliferation - of new festivals in the late s, and especially in the s.
Furthermore, musicians of the older generation who are still alive and kicking keep making notable records and are performing at a high level. Toots Thielemans for one is still prominent on the jazz scene. The famous British jazz critic Stuart Nicholson wrote of him: "His very personal approach to the piano trio announces the arrival of a huge promising young musician that has the potential to become an important voice in the European jazz scene to be.
De Werf organizes jazz concerts, mainly for American and Belgian jazz musicians. According to jazz impresario Jos Demol, the publisher of Jazz'halo, the Belgian jazz scene is generally spoken strongly focused on American jazz. Demol also noted little real interaction between clubs from different countries, although the differences are sometimes marked with stereotypes as "the clownish Italians", "the romantic French", "the ironic Dutch" and "the straightforward Germans".
According to Demol, Belgian jazz could benefit from a mutual influence of styles. Up to that date, only one Belgian had had the privilege, and that Belgian was, of course, Toots Thielemans. At the educational level, self-education that characterized previous generations, is now increasingly replaced by training in schools, at workshops and seminars.
Several Belgian musicians are traveling to the United States to attend classes at Berklee College in Boston, the most famous jazz school in the world. Nowadays, jazz teaching is also organized in Belgium. Many young emerging musicians were formed there, as well as in the class of Improvisation by Garrett List. Today, the Jazz Studio in Antwerp and the Brussels Conservatory provide jazz education at an advanced level. The international competition for young jazz ensembles and composers in Hoeilaart , "Europ Jazz Contest Hoeilaart" for a long time was the only significant Belgian jazz competition, but today there is also the contest "Jong Jazz Talent" Young Jazz Talent in Ghent.
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