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So, we put it aside as we couldn't find anyone to play and by the end of Earthmover, and well, I played guitar for that band so I didn't get a chance to talk, and ehhh At the end of Earthmover I had somehow 'gathered' all these ideas and stuff from what I saw and I wanted to get away behind the guitar and be able to talk. When we were in Europe with Earthmover I decided that once I got back home I wanted to do this band seriously. I went for it and we got together very quick. John played guitar and Annie plays bass.
We borrowed Dustin from Next To Nothing for the first few shows and the 7" and the song for your comp. The first thing that I noticed about you guys was, besides the almost 'refreshing 1 music, the statements you wrote There's not really a point for what we want to do. It's important for us At all! What's important for us in this band is to say the things we want to say. The people who we say it to and the way we say it.
We're not willing to compromise any of that. And so the labels that we work with is a big part of how we want to come across. And it's important to me, I think, to show that we work with friends or with labels that have some sort of political or idealistic convictions behind them to get that across. It's important to us to work with labels that dont exactly work like the way a lot of big labels work. Like I say, we rather play at fifty kids that care than to five hundred who only care about the music.
Like people like you guys and ourselves, people who are not necessarily older, but people who really think about whafs going on and this is just much more than some sort of soundtrack for a period of people's youth. This is more than a costume that people can put off when they're older or whatever. Thafs more important than being on a big label and playing for a lot of kids.
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I see the point where bands get on big labels to get their message out more but I honestly don't see that happen because you're in generally speaking to people who don't care anyway. But what's a big label to you? Is Revelation a big label? Is Equal Vision a big label to you?
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It's hard to say, and I can't speak for anyone else but to me There's a difference, even though you can't really put a name on it, between say, Seein' Red and any band on Equal Vision. What about Trial? Okay, Trial is unique. Trial are friends of course and Greg Bennick, the singer for Trial , I know, isn't really 'keen' on doing the big label thing.
But he wants to give it a try because what he says is so important to him that he wants to get it out to the big audience and see if he can get their reaction. Walt, I read about that in Inside Front Magazine! Exactly, it was on a big, commercial rock radio- station, thousands of people listen to that show and he said some of the most incredible and inspiring stuff I ever heard.
If anyone can take that shot on a big label its Trial. What If some label offered that to you? You have that strong message and.. I'm not really interested. I don't know the people. I don't know how can they even come about. Everything that we're gonna do with this band is with people that we're friends with or that we wanna be friends with.
I don't see that happening. We don't tour a whole lot because I have to stay home and take care of my dogs and my label. We're not gonna be this big touring band that you see so much these days Like six years ago you just had these great festivals and nobody toured and now every band seems to be on tour constantly.
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Its not that interesting anymore I think. I'd rather work with friends anyway That was a part of why Earthmover broke up. Some of the guys wanted to have this big label backing them up and then touring all the time but I just don't want to do that. I like being on the road and stuff Because I somehow had the impression that. I Imagined you had this 'big' plan as a band, this big goal or That you wanted to do something different Yeah, everything this band is doing is an experiment.
The start was to see if I could write these really fast songs It was to see if I could actually sing.
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And maybe most importantly, to see if I could speak effectively between songs. So, that was kinda the 'first phase' and we accomplished that. And then it was like kinda 9 'refining' it and to write the 12" record. That's eleven songs and we recorded two more of our own songs and a cover, so that's a ton of stuff and well that's kinda the second experiment. Now we're doing this little tour and see how that goes. As far as big audiences I would say. We're influenced on this by Black Flag. They said: "we're proud of ourselves because we're not in the entertainment section of a paper but we're in the news section of the paper".
They effective.
But I think a different approach in saying; "yeah, we're gonna speak to all these hardcore kids all over the world" is to take it back to where you come from and see if you can create some impact in your own community. But are those people interested? I don't know. That's what 1 want to see.. I'm just thinking about the music you play. Most people just think about it like would play and there were riots and all.
That's kinda the next stage for us You know, all of us live in Ann Harbor which is based around the university of Michigan, the atmosphere Is really conducive to spreading ideas and stuff like that. So, I think we're in a prime position to We don't want to be like famous' in our own town, but we want to A lot of bands want to be on a big label because they want to: "meet all these different people". Part of why that isn't gonna work is people don't function efficiently in communities in over, say people.
There were some experiments and I wish I could quote them, but they according to prime-mate brain-size they charted the groups that they work in, from the biggest to the littlest and according to that charge, humans work best In groups to people.
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And if you think about that, the scenes which are the most personal and the most political are the smaller ones where there are no more than people involved. And then, if you want to look at it internationally as well, like you and I, we work in a circle of probably to people because it's to hard to work with many more people in the DIY- personal business. So, honestly I don't think speaking to audiences and people over just isn't 10 a lot of noise. No matter how you represent the band or what you say in between songs That's what a part of the experiment will be. I think that maybe we make a record that we change the sound, just as an experiment cause yeah, I see that our music is real fast and distorted and all And all our stuff was vinyl sofar because I like the package and how it is presented and all but maybe we'll do a cd once and make it like I don't know how that will work out or anything or how that's gonna take shape but thafs another thing for the future for us.
We're like to create some impact locally. Like in our city there's stuff going on. There's a forest.
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And half of it is city owned and half of it is privately owned and they want it to be privately owned and people can't go to that forest anymore then. So there's stuff going on that we as a band can maybe do something about. Part of it is to just see how it goes and what we can do.